Foto von Prof. Dr. Jessie Pons

Prof. Dr. Jessie Pons

Professur Südasiatische Religionsgeschichte

Professor South Asian History of Religion
Project leader DiGA


Jessie Pons studied history of art, archaeology, Indian studies, and museum studies at the School of Oriental and African Studies (University of London), École du Louvre, and the University of Paris. In 2011, she earned her Ph.D. in art history from the university of Paris-Sorbonne with a thesis on the early Buddhist art from Gandhara. Between 2010 and 2016 she worked as a postdoctoral researcher at the Centre for Religious Studies in Ruhr Universität Bochum and was a KHK Research Fellow (2013-2014). Since January 2016, Jessie Pons has been a Professor for South Asian History of Religions.

Trained as an art historian, she is particularly attentive to the relationship between religion and art and to the role of material objects in religious experiences and the study thereof. The historical region of Gandhara (present-day Pakistan/Afghanistan), located at the crossroads of Asia, is her favourite field for reflection. In her research on Gandhara, she draws upon the results of her doctoral dissertation on the identification and characterisation of sculptural styles to reassess certain problems connected to Buddhism in the region such as networks of communication between Buddhist sites and actors, the emergence of Mahayana Buddhism, instances of instances of cultural and religious interactions and the diffusion of the hagiography of the Buddha.

Jessie Pons has a keen interest in discourses around the preservation of religious material heritage and the appropriation, destruction or reconstruction of religious sites and art objects for shifting ideological purposes. Since 2016, she has been involved in several projects for the digital documentation and preservation of Buddhist artefacts (DiGA, Pelagios Working Group, coordinated with Frederik Elwert) and sought to develop new methods for the study of the history of ancient Buddhism and of South Asian religions in general through artistic expressions.



On appointment



Early Buddhism and Buddhist art, Gandharan Studies, Religion and Materiality in South Asia, Digital Humanities, Inter-religious encounters in early South Asia, Religion and Art, Preservation of religious sites and objects




Professional Experience


Forthcoming (2024)


- Spring 2024: Arts du Gandhara. Richesse, diversité et répartition des ateliers de sculpteurs sur pierre, Association pour la protection de l’archéologie afghane, Strasbourg, (Archaeologia Afghana).

- D. Jongeward, T. Lenz, J. Neelis and J. Pons, Buddhist Rebirth Narratives in Literary and Visual Cultures of Gandhara.


Edited volumes

- Spring 2024: De l’Oxus au Gange : Études en l’honneur de Francine Tissot. Actes du colloque en l’honneur de Francine Tissot organisé par Jessie Pons et Osmund Bopearachchi, à l’École Normale Supérieure, Paris, le 8 juin 2013 et enrichis de nouvelles contributions, Association pour la protection de l’archéologie afghane, Strasbourg (Archaeologia Afghana).


Articles (peer-reviewed)

- In press: Gandhāran Arts and Tracks: A Reappraisal of the Stylistic Ties between the Swat Valley, Zar Dheri and Taxila, in A. Filigenzi (ed.), Proceedings of the 24th conference of the European Association for South Asian Archaeology and Art, 26 July 2018, Rome, ISMEO, 20 pages.


Book chapters

- In press: O. Bordeaux and J. Pons, L’empire indien des Kouchans, in C. Ferrier (eds.), Histoire Ancienne et Médiévale de l'Inde du Nord (Nouvelle Clio), Paris, Presses Universitaires de France.


Introductory Classes (in German or English on demand)

On regular offer


Seminars (in English)

Current Summer Semester 2024


Past Semesters



Buddhismus (Südasien) – OpenRUB.:
Hinduismus – OpenRUB.:


PhD Supervisions


Percy Arfeen: Transcending Boundaries: Material Culture of Sacred Spaces in Premodern and Early Modern Kerala, South India

Tillo Detige: Eternal Salutations: Early Modern Digambara Jaina Renouncers' Funerary Monuments from Western and Central India

Leo Weiß: Die universitäre Sammelleidenschaft im (post) kolonialen Kontext: Die heilkundliche Instrumentensammlung des Indologen A.F. Rudolf Hoernle am Karl-Sudhoff-Institut Leipzig (CERES, RUB).


Lillian Sellati: When is Herakles Not Himself? Mediating Cultural Plurality in Greater Central Asia, 330BCE-365CE (Department of the History of Art, Yale University, defended in June 2023).

Principal Investigator von SFB 1475 „Metaphern der Religion“

Professor*in von Centrum für Religionswissenschaftliche Studien , CERES Lehre , CERES-Direktorium und Südasiatische Religionsgeschichte

Koordination von Religion & Medien

Projektleitung von Teilprojekt B04

Mitglied des Research Departments von CERES RESEARCH DEPARTMENT

Beteiligte Person von Studienbeirat

Kooperationspartner von NFDI4Memory

Ehemalige Projekte und Verantwortlichkeiten

Projektleitung von DiGA , Erstellung eines Digitalisierungskonzeptes: Gandharische Artefakte und Linked Data Methodologies in Gandhāran Buddhist Art and Texts

Einzelforscher*in von The Circulation of Divinities

Wissenschaftliche*r Mitarbeiter*in von Dynamiken von Textkorpora und Bildprogrammen

Gastwissenschaftler*in von Käte Hamburger Kolleg

Kollegiat*in von Käte Hamburger Kolleg